Music and technology — Eric Whitacre: Sleep

16 09 2009

I’m using the Concordia College Faith, Reason, and World Affairs Forum to begin posting again. It’s my new place of employment, and this blog is one way in which I answer the following question:

This summer, I sang with the Utah Festival Opera, and it became painfully obvious how integrated technology has become in the arts world. The entire apartment complex had complimentary (although slow) Wi-Fi. Email was the backbone for all official and professional communication. News was received via the web, be it through individual web pages or through an aggregator like Netvibes or Google Reader, or by streaming audio/video or Podcasts. We saw the wide reach of the web when the director of the company was both lauded and vilified in comments made on the local paper’s site.

When it came to communicating directly, I wasn’t surprised that those with iPhones and GooglePhones always seemed to be a step ahead of the rest of us. I watched one colleague use his new account on Google Voice to set up a NYC phone number that would forward to his Houston-based cell phone for business purposes. The number of people who used Skype surprised me, and the fact that one colleague used Skype to take lessons from a teacher in New York City proved to me that we have moved into a new era of communication.

Less formally, everyone (including the artist coordinator) used Facebook to keep in touch with friends far away and friends just around the corner — my upstairs roommate and I would have entire Facebook conversations in the comment sections of a friend’s photo or status update after our other roommates had gone to bed. Texting was more than a luxury; I couldn’t have coordinated rides to the theatre or been alerted to an impromptu gathering without it. Twitter and FriendFeed hadn’t really caught on with the artists, but I tried them out, which left my personal journal virtually abandoned. I did some virtual gardening via Flickr — I was able to look at pictures of my garden and say what needed to be pulled and what needed to be kept.

We relaxed to shows and movies on Hulu, or the latest delivery from NetFlix, or to MMO video games like World of Warcraft, Call of Duty, and Team Fortress. Some liked to kick it old-school and play old DOS, Nintendo, Sega, and arcade games on their laptops backstage, while others played games on their phones. Pandora provided the soundtrack to many evening get-togethers. No gathering was complete without sharing YouTube videos, both the ridiculous and the sublime.

It is in that spirit, then, that I want to look at what the web has allowed us to do. It serves as inspiration; it allows for individual expression; most impressively, it allows us to collaborate in new and unique ways. The way that these singers have been brought together into this one video is, to me, one of the most amazing uses of “Web 2.0” techniques I have ever seen. Technology can be overstimulating, but it can also be positively transcendental.


(I know this isn’t technically an art song, but Wednesdays on this blog are “wildcard Wednesdays” and this was too cool not to share)

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2 responses

24 01 2010
Virginia Dupuy

Hi Paul: I recorded Lori’s “They Might not need me” on my CD: Emily Dickinson in Song and loved getting to know her. Do you have a copy? I’ll send one if not.

The Ellis Island Vignettes and Covered Wagon Woman have both been recorded by Stephanie Blythe – stunning and very, very moving.

I love Lauridsen. His manuscript pieces are a little hard to decipher but the published solo pieces are fantastic, so I’ll just find a pianist who has excellent eye sight and is willing…..

Bye for now. Virginia

26 01 2010
Paul

I just looked at the program for that disc. What an exciting collection! I’d love to hear it.

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